Singin- In The Rain Site
For over seven decades, the simple image of a man swinging on a lamppost, umbrella in hand, and grinning despite a torrential downpour has become the universal symbol of unbridled joy. That man is Gene Kelly, and the film is Singin' in the Rain .
So, the next time you have a bad day, turn off the news, open the curtains, and press play. And when Gene Kelly looks up at the sky, leans on that lamppost, and opens his mouth, try—just try—not to smile. Singin- in the Rain
Released in 1952 by MGM, Singin' in the Rain was initially considered a modest hit, overshadowed at the Oscars by The Greatest Show on Earth . But time has been extraordinarily kind to this Technicolor gem. Today, the American Film Institute ranks it as the greatest movie musical of all time. But what is it about this specific film about the death of the silent era that makes it feel so eternally alive? To understand the genius of Singin' in the Rain , you have to look at its setting: Hollywood, 1927. The world is about to change forever with the release of The Jazz Singer —the first "talkie." For over seven decades, the simple image of
Accounts from the set reveal that Reynolds would hide under the piano crying every day, her feet bleeding from the wooden taps. Fred Astaire, of all people, found her and helped her practice through the weekends. Yet, when you watch Reynolds in the "Good Morning" routine or the epic "Broadway Melody" ballet, she holds her own against two titans. Her grit off-screen is as inspiring as her smile on-screen. A musical is only as good as its villain, and Jean Hagen’s Lina Lamont is a masterpiece of comedic acting. In a film about sound, Hagen—who actually had a beautiful, dulcet speaking voice—chose to speak like a buzzsaw. And when Gene Kelly looks up at the
In a world that is often as cynical and confusing as the transition from silent films to talkies, Singin' in the Rain offers a radical proposition: It is okay to laugh at the chaos. It is okay to splash. And sometimes, the only way to survive the storm is to dance in it.