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Meanwhile, Hallmark (which survived the streaming apocalypse by pivoting to a niche subscription service) is actually doing well. Their "Cozy Valentine's Marathon" is the top performer among the 55+ demographic. It serves as a reminder that in the fragmented media of 2025, there is a channel for every single mood. You cannot write about entertainment content and popular media on 25 02 13 without addressing the massive, furry elephant: Generative AI SAG (Screen Actors Guild) .

A settlement was reached in late 2024: Studios can use AI to generate "background performances" and "voice cloning for dubbing," but lead actors have a strict "digital likeness veto." However, the grey area is "performance synthesis"—using an actor's past work to generate a new performance in a sequel without them. You cannot write about entertainment content and popular

This is the avatar of 2025 fame. In popular media, the celebrity hierarchy is now flat. A niche Dungeons & Dragons podcaster has the same cultural pull as a Marvel actor, provided they have a loyal "micro-community." In popular media, the celebrity hierarchy is now flat

On the red carpet for the Critics’ Choice Awards (airing this Sunday), journalists are no longer asking "What are you wearing?" but "What is your Weekly Engagement Score?" (WES)—a metric that combines cross-platform views, shares, and sentiment scores. The highest WES of the week belongs to Voss, who famously refused to attend the awards ceremony in protest of AI-scraping contracts. Because tomorrow is Valentine's Day, 25 02 13 is a critical day for content scheduling. Streaming services are rolling out "Anti-Valentine's" playlists. Spotify has launched a "Situationship Mode" that mixes sad Lana Del Rey remixes with aggressive house music. Because tomorrow is Valentine's Day