Anton | Tubero Indie Film Top

While known for dialogue, North of Here contains a brutal, 10-minute fist fight in a mud-soaked trailer that rivals Eastern Promises . It showed the world that Tubero could do genre cinema without losing his soul. It is a top contender for his best work. 5. Saint Monica (2016) – The Underseen Gem To round out the top five , we look at the short film that started it all. Saint Monica is a 28-minute short about a trans woman caring for her devout Catholic grandmother in a gentrifying Los Angeles neighborhood.

A teenager finds an encrypted hard drive in a dumpster behind a NYC bodega. Instead of turning it into the police, he uses the data to blackmail local slumlords. anton tubero indie film top

The roughness is the point. The audio sometimes glitches. The actors weren't professionals; Tubero hired local teenagers. This film established his signature "found footage humanism." It is chaotic, angry, and beautiful. It answers the question: What if Harmony Korine directed The Social Network on a bus pass budget? 3. The Passenger’s Seat (2021) – The Emotional Gut Punch If Rust Belt Requiem is his most accessible, The Passenger’s Seat is his most devastating. Many fans argue this should be the number one slot. While known for dialogue, North of Here contains

Have we missed your favorite Anton Tubero film? Disagree with the #1 spot? Join the conversation in the comments below. For more deep dives into independent cinema, subscribe to the newsletter. Searching for the best Anton Tubero indie films? We rank the top films by the indie auteur, including Rust Belt Requiem and The Passenger’s Seat . Find out where to start. A teenager finds an encrypted hard drive in

Whether you are a student filmmaker looking to learn blocking or a casual viewer tired of superheroes, dive into Tubero’s catalog. Start with Rust Belt Requiem , linger on North of Here , and let the quiet storm wash over you.

Tubero experiments with time here in a way he never has before. The use of a looping score (composed by indie legend Arthur Beem) creates a hypnotic, claustrophobic dread. The final five minutes—a silent shot of the driver cleaning his taxi at dawn—will leave you staring at a blank screen.